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Seven Stories Press

Works of Radical Imagination

Book cover for Hotel Casanova
Book cover for Hotel Casanova

In twelve short texts written between 1984 and 2006, here is Annie Ernaux at her most incisive and intimate, presenting readers with yet another new experience of the razor’s edge of the author’s sensibility, this time in the form of brief works of fiction or nonfiction.

In “Hotel Casanova,” the title story of this collection, Ernaux describes a series of hotel-room trysts with a man who holds no interest for her other than sexually, just after her mother is admitted to hospital suffering from severe dementia. The story brilliantly captures the loss of sense of self, and at the same time the intense pleasure and pain that she experiences through a kind of cascade of alienation. Then, in “Histories,” Ernaux recalls a time in her childhood when she was the older girl responsible for a younger neighbor, holding her hand and bringing her to school and then home again, and the feelings of loss that ensued when this ended.

Another memory inhabits “Returns,” this time of her last visit to her mother at home, and how the collision of their two fragile emotional states plays out during the hours spent together, like a collision of the past and the future.

These personal narratives are joined by more journalistic essays on such themes as the true relationship between literature and politics, discourses on Cesare Pavese and Pierre Bourdieu—both of whom were major influences on Ernaux, though in very different ways—travel journals of Moscow, Leningrad, Leipzig, and short personal essays on writing and other subjects. A mix of seemingly unrelated texts that comprise the song of a considered life.

Book cover for Hotel Casanova
Book cover for Hotel Casanova

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“This penetrating collection from Nobel Prize winner Ernaux (The Young Man) combines brief personal vignettes on loss and alienation with reflections on literature and politics, all written between 1984 and 2006. In the title piece, Ernaux recounts an affair she pursued with a married man after her mother was admitted to the hospital for a “serious mental disorder.” At first, she was repulsed by her mother’s declining state, but the clandestine trysts seemed to dissolve her disgust: “I stroked her hair, her hands. I no longer felt repugnance toward her body.” In “Stories,” she reflects on when she was tasked as a child with walking a young neighbor to and from school. Bored by her companion’s reserved nature, she made up scary stories that caused the child to scream and cry in fear. More journalistic essays include a piece on the relationship between writing and injustice, in which she argues literature can change society by “[permeating] the imagination of readers,” and a tribute to sociologist Pierre Bourdieu, whose work, she says, has been “an encouragement to persevere in my writing, to express what he called the social repressed.” Ernaux’s signature spare prose ties the myriad texts together, resulting in an eclectic peek into the life and mind of a groundbreaking writer. (Oct.)”

“…the kind of book you pick up during an idle moment at a friend’s house or bookstore, read a few pages of it, and realize you have to finish the whole thing.”

“Annie continues to completely rock me with a subject or a sentence or some small, hideously accurate observation about human behavior . . . If you have been curious about Ernaux but not sure where to start, I think this book would actually be a good introduction to the major themes in her work. And, if you read it and find yourself drawn to a specific essay, the good news is that most likely there will be a longer book by her on the subject.”

blog — October 14

Announcing Two New Books from Annie Ernaux

PUBLISHING OCTOBER 27TH:
TWO NEW BOOKS BY ANNIE ERNAUX

We are delighted to announce the imminent publication of two brand new English translations of books by 2022 Nobel Laureate Annie Ernaux: Hotel Casanova and Other Brief Texts, the first-ever collection of stories and essays by Annie Ernaux, translated by Alison L. Strayer, and Writing, The Other Life: Text and Art by and About Annie Ernaux, edited by Pierre-Louis Fort and featuring translations by Alison L. Strayer, Ros Schwartz, Frank Wynne, Emma Ramadan, Dan Simon, and Sophie Lewis.

In twelve short texts written between 1984 and 2006, here is Annie Ernaux at her most incisive and intimate, presenting readers with yet another new experience of the razor’s edge of the author’s sensibility, this time in the form of brief works of fiction or nonfiction.

In “Hotel Casanova,” the title story of this collection, Ernaux describes a series of hotel-room trysts with a man who holds no interest for her other than sexually, just after her mother is admitted to hospital suffering from severe dementia. The story brilliantly captures the loss of sense of self, and at the same time the intense pleasure and pain that she experiences through a kind of cascade of alienation. Then, in “Histories,” Ernaux recalls a time in her childhood when she was the older girl responsible for a younger neighbor, holding her hand and bringing her to school and then home again, and the feelings of loss that ensued when this ended.

Another memory inhabits “Returns,” this time of her last visit to her mother at home, and how the collision of their two fragile emotional states plays out during the hours spent together, like a collision of the past and the future.

These personal narratives are joined by more journalistic essays on such themes as the true relationship between literature and politics, discourses on Cesare Pavese and Pierre Bourdieu—both of whom were major influences on Ernaux, though in very different ways—travel journals of Moscow, Leningrad, Leipzig, and short personal essays on writing and other subjects. A mix of seemingly unrelated texts that comprise the song of a considered life.

A stunning celebration of Annie Ernaux's work, featuring interviews, critical analyses, and 24 unpublished writings that offer unprecedented insight into her life, writing style, thoughts, and influence.

Drawings, photos, handwritten manuscripts, and other visual materials make this a beautiful keepsake for new and longtime fans.

Magisterial in scope and size, Writing, The Other Life was compiled and edited by Pierre-Louis Fort and was first published in France by Éditions de L'Herne in 2022, a few months before she received the Nobel Prize in Literature. The anthology includes twenty-four previously unpublished Ernaux pieces, as well as literary criticism, essays, interviews, diary entries, a song by Jeanne Cherhal, newspaper clippings, a comic strip by Aurélia Aurita, letters from Simone de Beauvoir.

Never before published in English, this beautifully visual collection includes an eight-page color photo insert with images, handwritten manuscript pages, and drawings sprinkled throughout. It is the fruit of collaboration between six celebrated translators, making this a groundbreaking work of scholarship and rumination.

Annie Ernaux

The author of some twenty works of fiction and memoir, ANNIE ERNAUX is considered by many to be France’s most important writer. In 2022, she was awarded the Nobel Prize in Literature. She has also won the Prix Renaudot for A Man's Place and the Marguerite Yourcenar Prize for her body of work. More recently she received the International Strega Prize, the Prix Formentor, the French-American Translation Prize, and the Warwick Prize for Women in Translation for The Years, which was also shortlisted for the Man Booker International Prize. Her other works include Exteriors, A Girl's Story, A Woman's Story, The Possession, Simple Passion, Happening, I Remain in Darkness, Shame, A Frozen Woman, A Man's Place, and The Young Man. 

Alison L. Strayer

ALISON L. STRAYER is a Canadian writer and translator. She won the Warwick Prize for Women in Translation, and her work has been shortlisted for the Governor General’s Award for Literature and for Translation, the Grand Prix du livre de Montreal, the Prix littéraire France-Québec, and the Man Booker International Prize. She lives in Paris.

Other books by the authors