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Works of Radical Imagination

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Counting on Community is Innosanto Nagara's follow-up to his hit ABC book, A is for Activist. Counting up from one stuffed piñata to ten hefty hens--and always counting on each other--children are encouraged to recognize the value of their community, the joys inherent in healthy eco-friendly activities, and the agency they posses to make change. A broad and inspiring vision of diversity is told through stories in words and pictures. And of course, there is a duck to find on every page!

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“Meaningful change begins with doing small things at the local level, like picking up trash on the street, helping a neighbor, planting a community garden. Counting on Community encourages our children to embrace the power within each of us to create the world anew, to become SOLUTIONARIES.”

“Not only is Counting on Community an endearing an beautifully illustrated book, it represents the best hopes and dreams for our communities.”

“Innosanto Nagara is writing a new kind of children's book. Besides being a fun, rhythmic, and lively text to read, the book's illustrations present a world of diversity and complex, inclusive beauty. We should shower our children, schools, libraries, and our communities with books like this one.”

blog — April 27

Three Cheers: Innosanto Nagara

Three Cheers is a recurring feature on the Seven Stories Blog, in which authors dish on three books or authors that helped to mold them over the course of their lives. Today we're featuring Innosanto Nagara, author of A is for Activist and many more, all available from Seven Stories.

by Innosanto Nagara

There are of course many many more, and it’s terrible to have to just pick three. But since three is what you ask for, here are my three cheers:

First cheer goes to the Indonesian dissident poet/playwright Ikranagara, who also happens to be my father. First cheer to him because, consciously or unconsciously, my understanding of what writing is, who can write, and why one would write, was first shaped by him. Growing up in a house where my parents and their friends discussed writing and philosophy, and seeing the impact they were having in the country, makes my father my most formative author influence. 

Second cheer goes to Khalil Gibran, introduced to me by my mother when I was a child. His “On Children” in The Prophet, is a guiding philosophy for how I approach writing for children. That core idea, that ‘your children are not your children, they are the sons and daughters of life’s longing for itself” and that ultimately they will “live in the house of tomorrow, which you cannot visit, not even in your dreams,” is why I think it’s important to have the conversations I hope to spark with my books.

Third cheer is difficult. I want to credit writers like Keri Hulme (The Bone People) or Jerzy Kosinski (The Painted Bird), whose approaches to writing and style have been a great influence. Or maybe I should make sure everyone knows Ayu Utami, whose book Saman was the first of its kind for an Indonesian writer and blew my mind when I read it in 1998 right before the fall of Suharto. Saman undoubtedly contributed to the fall of Suharto. But since this is a space where I’m wearing my children’s book author hat, and I only have one cheer left, I’m going to make a shout out to Shel Silverstein. Uncle Shelby’s ABZ Book is not his most famous children’s book, but it was one of his favorites, and mine. His respect for children’s ability to appreciate complexity and context, in 1961, is always a reminder to me.

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INNOSANTO NAGARA's new-wave board books encourage children to grow up with confidence in themselves, and to be proactive citizens who are passionate about causes from environmental issues to LGBTQ rights and civil rights. Nagara was born and raised in Indonesia, and moved to the US in 1988. After studying zoology and philosophy at UC Davis, he moved to the San Francisco Bay Area, where he worked as a graphic designer for a range of social change organizations, before founding the Design Action Collective, a worker-owned cooperative design studio in Oakland, California.