Seven Stories Press

Works of Radical Imagination

A de activista

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Escrito por Martha Gonzalez

Ilustrado por Innosanto Nagara

Following on the outrageous success of Innosanto Nagara’s A is for Activist (now in its fourth printing), A de Activista is a Spanish-language ABC board book written by Grammy Award-winning lyricist and singer Martha Gonzalez and illustrated by Nagara for the next generation of progressives: families who want their kids to grow up in a space that is unapologetic about activism, environmental justice, civil rights, LGBTQ rights, and everything else that activists believe in and fight for. The alliteration, rhyming, and vibrant illustrations make the book exciting for children, calling them to action while teaching them a love for books.

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A de Activista es un testimonio de un pueblo de todos los colores, unidos por la consciencia y la compassíon . . . un retrato hermoso de coraje con la esperanza que se convierta en la lengua de un verdadera democracia.”

“Este libro mostró, y es esencial que la niñez sepa, que el mundo en que vivimos es imperfecto. Y que todos y todas tenemos la habilidad de cambiarlo para hacerlo mejor para todo mundo.”

blog — April 27

Three Cheers: Innosanto Nagara

Three Cheers is a recurring feature on the Seven Stories Blog, in which authors dish on three books or authors that helped to mold them over the course of their lives. Today we're featuring Innosanto Nagara, author of A is for Activist and many more, all available from Seven Stories.

by Innosanto Nagara

There are of course many many more, and it’s terrible to have to just pick three. But since three is what you ask for, here are my three cheers:

First cheer goes to the Indonesian dissident poet/playwright Ikranagara, who also happens to be my father. First cheer to him because, consciously or unconsciously, my understanding of what writing is, who can write, and why one would write, was first shaped by him. Growing up in a house where my parents and their friends discussed writing and philosophy, and seeing the impact they were having in the country, makes my father my most formative author influence. 

Second cheer goes to Khalil Gibran, introduced to me by my mother when I was a child. His “On Children” in The Prophet, is a guiding philosophy for how I approach writing for children. That core idea, that ‘your children are not your children, they are the sons and daughters of life’s longing for itself” and that ultimately they will “live in the house of tomorrow, which you cannot visit, not even in your dreams,” is why I think it’s important to have the conversations I hope to spark with my books.

Third cheer is difficult. I want to credit writers like Keri Hulme (The Bone People) or Jerzy Kosinski (The Painted Bird), whose approaches to writing and style have been a great influence. Or maybe I should make sure everyone knows Ayu Utami, whose book Saman was the first of its kind for an Indonesian writer and blew my mind when I read it in 1998 right before the fall of Suharto. Saman undoubtedly contributed to the fall of Suharto. But since this is a space where I’m wearing my children’s book author hat, and I only have one cheer left, I’m going to make a shout out to Shel Silverstein. Uncle Shelby’s ABZ Book is not his most famous children’s book, but it was one of his favorites, and mine. His respect for children’s ability to appreciate complexity and context, in 1961, is always a reminder to me.