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Praise for Stanley Moss’s poetry "Magisterial . . . this book is magnificent. I’ve read it several times with greater and greater pleasure. It’s verbal generosity and bravura, its humanity, the quality and quantity of information which it integrates into poetry of the highest order make it a continuing delight."
—Marilyn Hacker "A marvelous new collection of poems . . . unthinkable questions, perhaps, but when he formulates them they take on the urgency of common daylight."
—John Ashbery "The poetry of the ages is an argument with God, so it is said; but not many poets attempt it today. Stanley Moss does. In many voices, in lines rugged yet eloquent, in different places and with various leanings, he sings us songs of his unbelievable belief, his unlovable lovesongs of anguish, songs any of us would sing if we could. I find them disconcerting and extraordinarily moving."
—Hayden Carruth "This is a book made ‘of experience and high intellect.’ From the first measured trope to the last haunting moment, in which God equals a question, these poems curse and sing about the blessings and tragedies of personal life. Embracing the larger world, they’re also hardy psalms that make me say, Thanks for this important, gutsy collection."
—Yusef Komunyakaa
Stanley Moss previous collections include The History of Color, Asleep in the Garden, The Intelligence of Clouds, The Skull of Adam, and The Wrong Angel. He was educated at Trinity College and Yale University. He makes his living as a private art dealer, largely in Spanish and Italian Old Masters, and is the publisher and editor of the Sheep Meadow Press, a non-profit press devoted to poetry.